April 24, 2018
JULIA HAFT-CANDELL / SUZAN FRECON REVIEWED IN THE LOS ANGELES TIMES BY DAVID PAGEL
EXHIBITION AT PARRASCH HEIJNEN GALLERY, LOS ANGELES APRIL 6-MAY 25, 2019
Parrasch Heijnen Gallery is pleased to present Julia Haft-Candell / Suzan Frecon an exhibition of new sculpture by the Los Angeles-based artist in direct historic conversation with works on paper by New York-based abstract artist Suzan Frecon.
Phantom LIM, on view July 21 through September 1, 2018, investigates the formal relationships developed in the imperceptible negotiations between art and object.
A phantom limb is the physical sensation that a missing limb is still attached. It is the discrepancy between what is perceived and what is there. This phenomenon reveals the way people exist toward the world, oriented around perceiving the world, on one hand, and a tension in time and space between the person-in-the-present and the habit of being, on the other. This tension continually navigates a limbo zone, where new perspectives and aesthetic forms can coalesce in the gap between being and becoming.
It is this perspective that the Torrance Art Museum inhabits with Phantom LIM - objects forming in these indeterminate regions, oriented to the world, by bodies that perceive, build and judge. Phantom LIM showcases artworks that re-make themselves into the world by requiring the viewer to actively negotiate their form and content. The artists in Phantom LIM investigate these limits of perception and the formal relationships that develop in the aesthetic exchanges between object and art. Relying less on the predestination of planning, and more on intuition, they determine their artwork through both conscious and unconscious aesthetic and practical judgements.
The works in the exhibition negotiate nebulous boundaries and zones of indeterminate determination - liminal spaces where “objects-in-process” intersect with “art object.” These are spaces between here and there where a moment of transition occurs, a directional impulse that remains a Schrödinger’s cat or a memory of something yet to happen.
Daniel T. Gaitor-Lomack
Curated by Benjamin W. Tippin and Max Presneill
Franklin Parrasch Gallery | Julia Haft-Candell
Recently included in New Wave Clay: Ceramic, Design, Art and Architecture by Tom Morris
Los Angeles, CA
January 28 - May 6, 2018
Kahlil Robert Irving
Jennifer Ling Datchuk
Jami Porter Lara
Cheryl Ann Thomas
Curated by Holly Jerger and Andres Payan
January 20–March 29, 2018
Curated by Ciara Ennis and Jennifer Vanderpool