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press

 

Alexandra Pechman, “Julia Haft-Candell at Parrasch Heijnen Gallery,” artforum.com critics' picks

Leah Ollman, “In Julia Haft-Candell’s ‘infinite’ art, the possibilities are, well…” The Los Angeles Times, August 22, 2017

Jennifer S. Li, “Julia Haft-Candell’s Black Clay Infinity Sculptures, On View in LA,” Sight Unseen, July 14, 2017

Mat Gleason, “Julia Haft-Candell Confounds the Infinite at Parrasch Heijnen Gallery,” Huffington Post, August 5, 2017

Annabel Osberg, “Julia Haft-Candell,” Artillery Magazine, August 10, 2017

Casey Lesser, “These 20 Artists Are Shaping the Future of Ceramics,” Artsy, February 2017

Caitlin Confort, “Julia Haft-Candell’s Sculptures Inspired by Intuition,” Artzealous, January 2017

George Melrod, “Julia Haft-Candell,” Art Ltd., March 2016

Andrianna Campbell, “Kill All Zombies,” artforum.com Critics’ Picks, November 2015

Allyson Unzicker, “Corporeal Impulse: Contemporary Artists Working in Clay,” The Brooklyn Rail, April 2, 2014

Retha Oliver, “‘Corporeal Impulse’ at the Vincent Price Art Museum,” Glasstire, April 4, 2014

Jennifer Ortiz, “Rising Artists of the West Coast Featured in Artwatch 2014,” Santa Barbara Seasons Magazine, September 24, 2014

A. Moret, “Julia Haft-Candell: ‘Terrains’ at ACME,” Art Ltd., March 2013

Meredith Deliso, “Finding Beauty in the Imperfect at Inman Gallery,” The Houston Press, February 26, 2013

Leah Ollman, “The Happy Medium,” Art in America, December 2012

Brooke Hodge, “Iko Iko Goes West,” Seeing Things Blog, T: The New York Times Style Magazine, August 11, 2011

David Pagel, “Art Review- Julia Haft-Candell at ACME,” Los Angeles Times, May 5, 2011

Lyra Kilston, “Los Angeles Museum of Ceramic Art,” artforum.com Critics’ Picks, January 20, 2011